Since coming to the University of Pittsburgh in 1979, Clark Muenzer has served the German Department in a variety of capacities, including Director of Undergraduate Studies, Director of Graduate Studies, and (for many years), Department Chair. In addition to numerous articles on German literature and thought during the Age of Goethe he has published a monograph on Goethe’s novels (1983) and edited two volumes of essays on Goethe (2010; 2001), as well as one volume on literary modernism (1990).
Goethe, as well as German literature and culture of the long 18th century, has been the focus of Muenzer’s published work for many years. More recently, his teaching and research have examined the complex relationship of literature and the arts to philosophy. In a number of recent articles, as well as in a book-length project entitled Chaotic Metaphysics: Topics in Goethe’s Reconstruction of Thought, Muenzer looks at Goethe’s literary, scientific, architectural, and aesthetic works with reference to Aristotle, Spinoza, Leibniz, Kant, Schelling, Whitehead, and Deleuze. In addition to nature as process, the array of metaphysically informed issues under consideration include Goethe’s creation of philosophical concepts; the nature of the real and the ontological status of aesthetic objects of perception; subjectivity and the perceiving subject; and the role of aiesthesis and poeisis in Goethean thought. In cooperation with the Goethe Society of North America and the English Goethe Society, he is the PI for the Goethe-Lexicon of Philosophical Concepts. This project (which engages a team of experts from both the US and Europe) recently won a seed-funding grant from the University of Pittsburgh.
Muenzer served as the Executive Secretary of the Goethe Society of North America from 1999-2004 and was a member of the Advisory Board from 2007-2009. He was Vice-President of the organization from 2010-1212 and President from 2013-2015. Muenzer organized the First International Conference of the Goethe Society of North America in Pittsburgh in 2008 and brought the Society’s Third International Conference back to the University in November, 2014.
Education & Training
- PhD, Princeton University, 1974
- MA, Germanic Languages and Literature, Princeton University, 1972
- BA, Germanic Languages and Literature, Princeton University, 1970
Figures of Identity: Goethe’s Novels and the Enigmatic Self (University Park and London: The Pennsylvania State University Press, 1984).
“Goethe’s Haunted Architectural Idea,” in Goethe’s Ghosts: Reading and the Persistence of Literature, eds. Simon Richter and Richard Block (Columbia SC: Camden House, 2013), 37-55.
“Forms of Figuration in Goethe’s Faust,” Goethe Yearbook, 17 (2010), 133-52.
“Goethe's Metaphysics of Immanence,” Colloquia Germanica, 39 (2007), 1-19.
“Fugitive Images and Visual Memory in Goethe's Discourse on Color,” in The Enlightened Eye: Goethe And Visual Culture, eds. Evelyn K. Moore and Patricia Anne Simpson (Amsterdam: Rodopi, 2007), 220-237.
“At the Edge of Chaos: Goethe and the Question of the Global,” in Literatur im Spiel der Zeichen: Festschrift für Hans-Vilmar Geppert, eds. Werner Frick, Fabian Lampart, and Bernadette Malinowski (Tübingen: Francke, 2006), 125-140.
“Das Buch Hiob und Goethes Naturbegriff,” in Goethe und die Bibel, ed. Johannes Anderegg (Stuttgart: Deutscher Bibel-Verlag, 2005), 157-167.
“Borders, Monuments and Goethe’s Reconstruction of Knowledge,” Arcadia, 38 (2003), 248-53.
“Wandering Among Obelisks: Goethe’s Idea of the Monument,” Modern Language Studies, 31 (2001), 5-34.
“Culture’s Uncanny House: Exile and the Genealogy of the Classical Stage in Goethe’s Die Natürliche Tochter,” in Exil: Transhistorische und Transnationale Perspektiven, eds., Helmut Koopmann and Klaus Dieter Post (Paderborn: Mentis, 2001), 101-133.
“Transplanting the Poem: Goethe, Ghosts and The Metamorphosis of an Elegy,” in Themes and Structures: Studies in German Literature from Goethe to the Present. Festschrift for Theodore Ziolkowski, ed. Alexander Stefan (Columbia S.C.: Camden House, 1997), 39-77.